...Holy
Sounds Grants
Embraced
in the synagogues as an accompaniment to prayers and liturgical
poems, the Andalusian Hebrew tradition still exists in Israel,
Morocco and France, yet the distinct regional songs kept alive
by these two men are fast disappearing. This grant from the Holy
Sounds Foundation will allow this historically significant tradition
to be recorded and passed on to new audiences through the Jewish
Music Center of the Hebrew University in Jerusalem, headed by
Professor Edwin Seroussi.
The second grant went to four young people from Capetown, South
Africa, who performs together under the name Unique Attraction.
The vibrancy of their music is enhanced by the blending of Christian
themes with tribal rhythms, resulting in a highly polished form
of traditional African gospel. They have been together for eleven
years since early childhood, first singing in church and then
in this quartet, which has performed at numerous local gospel
festivals. Until now they have been unable to record and share
their music with the world, but that will change with the presentation
of our second grant.
Unique Attraction members include Simpiwe Gcanga, Mlindeli Khembele,
Tembinkosi Matiwane and Seun Mbeka, and their manager and songwriter,
Zuko Vanyaza.
The
third grant was given for the preservation of music in a country
where, for nearly a decade, traditional music was not allowed
in public. During the reign of the Taliban, 25 million Afghans
could not listen to folk and popular music - much of which is
based on Muslim devotional and sacred poetry - and many of the
country's most gifted talents were forced to flee to neighboring
Pakistan. Now that the veil of oppression has been lifted, ten
Afghan singers and their ensembles will be recorded in two languages,
Dari and Pashto, with the goal of replenishing the airwaves of
Radio Afghanistan.
The Foundation was proud to bestow this final award to those
organizing this effort: Professor Hiromi Lorraine Sakata, an ethnomusicologist
at the University of California Los Angeles; Alam Payind, director
of the Center for Middle Eastern Studies at Ohio State University;
and Adam Nayyar, research director of the National Institute of
Folk and Traditional Culture in Islamabad, Pakistan."
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